- Posted on September 25, 2012 by
One of the most impressive sights at Combat Con 2012 was the four-legged, 9-foot tall walker that graced the dance floor of the Time Traveler's Ball. Called the Egress, the walker resembles one of the Land Striders from Jim Henson’s The Dark Crystal. The Egress was just one of several spectacles that Duel at Dusk Combat put on at Combat Con. Based in Las Vegas, DADC has been literally burning up the Mojave in their quest to provide the ultimate over the top experiences to their audiences. Moving on to larger and larger projects and from September 27 to 29 in the California desert Duel at Dusk will be staging their one of the most intensive performances yet at the post-apocalyptic Wasteland Weekend.
Duel at Dusk Productions Founder JP Dostal in His Buddy Costume from Six-String Samura
Duel at Dusk: What They Do and Have Done
Duel at Dusk began in Lansing, Michigan in 1999 In its modern incarnation, Duel at Dusk Productions is the “Premier Company for Stage Combat Choreography & Over the Top Productions” in Las Vegas. While Dostal, who is only 32, most of his creative energy goes into stage combat with Dostal consulting on theatrical productions including recent work on the Las Vegas Shakespeare Company’s production of Hamlet which opens October 6 for a month-long run on the weekends. Dostal bills out such such work under the Duel at Dusk Combat moniker, but DADC is more of a theater company in its organization and operations, though that is changing as Duel at Dusk builds a reputation for amazing performances at Combat Con, Labyrinth of Jareth, and Wasteland Weekend.
2012 Labyrinth of Jareth
Every year for the last 15 years, fans of Labyrinth gather in Southern California for the Labyrinth of Jareth, a costuming spectacle and masquerade put on by Sypher Art Studio. The members of Duel at Dusk Combat were initially going to the Labyrinth as a mini-vacation, but decided to up the ante with something they had already been planning for some time. They went to the steampunk ball the first evening, but on the second night they brought out the Egress walker. It was literally a big hit, barely squeezing through the entranceways. Walking on all fours is hard work with Sullins needing ten minutes of rest for every fifteen spent moving around in the Egress. He also needs at least one handler and simply getting into the costume takes 15 minutes on its own. Sullins appearance as the Egress was so striking that Sasha Travis who plays the Queen of the Night addressed him in his costume, saying “Land Strider, it’s been so long since I’ve seen you; you’ve grown.” Dostal describes the costuming on the show’s Saturday night as “just the most elaborate and ridiculous thing” with many Hollywood costume designers creating some of them. While the Labyrinth of Jareth event has a storyline adhered to by its organizers, not every costumed guest has a character and even if one does, the attendee may not stay in character for the whole event. When DADP members went they stayed in character the whole time and possibly as a consequence Duel at Dusk Combat have been invited back for the 2013 Labyrinth of Jareth.The Egress, which is a play on PT Barnum’s mythical Egress, or exit, made its second appearance at the second Combat Con in Las Vegas at the Time Traveller’s Ball. The night before the DADP members put on a fiery show in the Tuscany Suites’ parking lot. When not entertaining at Combat Con, the cast members were attending the cosplay and gaming panels, as well as some of the combat classes and the tournaments. DADC has also made an appearance in an upcoming documentary on the life of Gregory Popovich, the Russian circus performer, whose dog and cat show is currently running at Planet Hollywood on the Las Vegas Strip. Duel at Dusk’s most recent public appearance leading into Wasteland Weekend also served as a public run through for some of their upcoming material when they performed at a charity event to raise money for Paws LV, helping to raise over $12,000.
Wasteland Weekend Preparations
Preparations for Wasteland Weekend began when the Talent Director of Wasteland Weekend, Jared, contacted Duel at Dusk about participating. As he puts it, he “knew right away that this was a group that had a great feel for the whole post-apocalyptic theme we wanted to create. I was confident that their experience with live entertainment, and with fire combat in particular, would help us put on a great show.” The totally immersive event takes its inspiration from the Mad Max films with liberal doses of Fallout tossed in. The entire theme of Duel at Dusk’s camp however comes from the cult 90s film Six String Samurai which follows the katana-in-guitar wielding Buddy across the wasteland on his way to Vegas to become its new king after Elvis’ death, battling gangs and Death himself along the way. For the last four to five months, Duel at Dusk has been busy preparing for the event which is expected to draw 1,200 costumed attendees.
Angel with the Hoop of Death
Duel at Dusk Combat will be the only theatrical troupe entertaining every day at Wasteland Weekend; other performers from other groups and acts will be entertaining one or two of the days or evenings with more limited schedules. Wasteland wanderers can expect to encounter choreographed fights pitting Buddy against Death, a psychopathic Bowler, and a Wasteland Samurai with flaming butterfly swords, katanas, Sun and Moon Wheels, and and hook swords, all of which will be on fire. Wasteland Weekend also marks the return of Yevtte Shinn’s flaming whip. One new fiery attraction that DADC members are especially excited to introduce is the Hoop of Death, a flaming hula hoop which will be spun by cast member Angel Spezza, who will be dancing to Lita Ford’s “Playing with Fire”. Like many of their other flaming weapons, kevlar is used as the wick for the Coleman camping fuel on the Hoop of Death, which was ordered from the companyHome of Poi in New Zealand and only arrived September 12. What’s it like to stand inside a flaming ring, besides hot? Angel says, “It’s like you’re inside a fire tornado, there’s a lot of noise, and you can’t see past it.” The danger and thrills continue with the Sword Staircase, also to be performed by Angel, incorporating Lion-O’s sword from Thunder Cats, the Eye of Thunderra, as well as several mundane blades and a Klingon batliff blade. Michigan DADC cast members Jay Davis and Matthew Highley will play as the Loverly Brothers, a post-apoc vaudeville act a la Charlie Chaplin in a series of three pieces during Duel at Dusk’s Saturday main stage performance all concerning interactions in Bartertown. DADC has also partnered with Hollywood prop master David Baker and will be putting on shows inside his Dark and Dagger Circus at the End of the World area. Wasteland Weekend is split into “tribes” or encampments (as is typical for Ren Faires). In the Circus at the End of the World DADP cast member Edward Tyndall will be performing a psychic surgery and Matt Sullins will be doing a strait jacket escape. Duel at Dusk Combats entire presence at Wasteland Weekend will be as the Fabulous Lost Vegas tribe and much planning and detail has gone into the construction of the encampment which will adjoin a functioning casino run by a different tribe. Initially Dostal had planned on providing several children’s pools to allow Wasteland Weekenders to cool off during the day as part of the Fabulous Lost Vegas day club, but the exact specifics have been evolving over the last month.
Not all of Duel at Dusk’s offerings will be seen on Wasteland Weekend’s stage or at the Circus at the End of the World, as DADC cast members will be wandering throughout the three full days performing and entertaining as their characters. Edward Tyndall will be wandering the tents as the darkly comedic Mr. Cross with his golf bag of torturous implements (which will probably be equally matched by torturous punchlines). Aiding him will be his caddy Max Gardener played by DADC script writer Nick Scalzo. Sullins will be out of the Egress costume and MCing most of DADC’s stage shows, but also wandering as Gentleman Johnny with his hunting dog “Bunny” played by Yevette Shinn. Kevin Matthews will be the Cowboy, offering tours of the Fabulous Lost Vegas camp.
The Importance of Safety
Besides taking his opponent’s blade to his chin, Dostal has other firsthand experience with the dangers of stage and sport combat. In a Michigan production of “Peter Pan” Dostal served as the fight director, but had to leave town during rehearsal and suspended practices. The play’s director had other ideas though and that’s when one of the actors lost his eye, his fellow actor’s foil taking it out with a mistimed thrust. The one-eyed actor now has a glass eye and sued the director, but it’s such mishaps that Dostal seeks to avoid. Dostal himself has skewered his opponent’s shoulder while fencing when his blade broke; his opponent looked down because of the pain, but only passed out when he saw the blood because he was a hemophobe. DADC Warehouse, where much of the preparation for events like Wasteland Weekend has gone on, is festooned with weapons of all makes and sizes.
This also extends into fire safety. Cast members seem to stick to their own flaming weapons, but when it comes to fire, Dostal has been much more explicit and obvious in his preparations. Like the rest of the kevlar-based fire weapons, Angel Spezza’s Hoop of Death was soaked in Coleman cooking fuel and then burnt off; the first burn removes chemicals used to process it and fuzz from manufacturing the kevlar and usually lasts longer than subsequent burns, which will tend to be more consistent. When it came time for Angel to actually step into the ring though for an actual run through all joking died down and specific instructions on who would or would not be moving in to help her were given. Fire blankets were prepared with the hula hoop posing the additional problem of possibly endangering Angel were she to try to jump over it assuming she were lit on fire. Everything went off without a hitch though, but it all came through careful planning. The real key to DADC’s fire safety is paying attention to the fibers in clothing with synthetic fibers posing the hazard of melting when ablaze. It is not uncommon at DADP practices for a cast member to show a new costume piece and quickly explain what fabric is involved, even if the cast member will not be performing with fire.
Blazing Forward with Duel at Dusk
JP Dostal and Company are already at work on other plans for after Wasteland Weekend with the 2013 Labyrinth of Jareth looming large as well as other events which are more pressing, such as a possible show in Las Vegas in December featuring many of the acts from Wasteland Weekend. For the next Labyrinth of Jareth, Duel at Dusk will be comprising the Court of Purgatory for the Queen of the Night. When the real world Shawn Strider and Sasha Travis got engaged and they brought their character counterparts together for Labyrinth of Jareth a rift developed with the Queen of the Night’s followers unhappy with the move, splitting off to form their own court. Without a court of her own, the Queen of the Night turned to Duel at Dusk Productions and now will boast some very elaborate protection to rival the Goblin Court, her Fey Court, and Lord Strider’s own court. Fight scenes will be choreographed between the rival courts and JP Dostal expects several trips to Los Angeles beforehand to fully prepare for the intricate action that will greet the Labyrinth’s visitors next June. In all JP Dostal estimates that DADC will be spending three to four months on their Court of Purgatory with costumes like the Skeleton Corpsers returning, as well as many new characters and costumes including Egress 2.0, a gigantic Hellhound, the Lord of Purgatory, Lady Purgatory, and a very special rolling surprise.
Another project that Dostal has been pursuing and developing for some time is with the City of Henderson, which is to the immediate southeast of Las Vegas. Southern Nevada will be getting a new Renaissance Fair in the Henderson Pavilion venue. Dostal has developed a format that includes an evening play during the Ren Faire’s run with DADP script writer Nick Scalzo about 70% done with his own original Robin Hood script which, while humorous, will tend towards the 1990 Kevin Costner end of things and not so much Robin Hood Men in Tights. Dostal cites the recent loss of 30,000 Ren Faire attendees at the Las Vegas Renaissance Faire due in part to a relocation of the outdoor venue as one of contributing factors leading towards the Henderson Renaissance Festival. Another reason for the new Ren Fair according to Dostal, is that the Las Vegas Ren Fair is not historically accurate, encompassing Roman legionaries to pirates in costumes from the 1600s. Coming from Michigan and Maryland, Dostal and Sullins are also used to much longer 6-8 week Ren Faires, unlike Las Vegas’s 3-day span. Current plans for the Henderson Ren Fair are for a three weekend run possibly as early as March/April 2013.
As for Las Vegas itself, Dostal has been developing an interactive theater project for the Las Vegas Strip and shopping it around to the casinos. Because the choreographed show is still in development there’s not much he can announce about it at present. He can say a bit more though about his efforts in producing a sequel to Six String Samurai and has been pursuing the rights from the movie’s creator Lance Mungia. Dostal plans to make use of some of the existing props and costumes developed for Wasteland Weekend and to film in Rhyolite, Nevada which is where the original film was recorded.
